no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

moxie takes you on an outer space 80s electro jam. theres the uptempo female version and the more mid tempo male version. warning... dance, break and party invasion!!

absolutely superb debut release from paul bennett on the new modernista label. he shares his love for raw machine music as exemplified by mid to late eighties labels like trax, dj international, dance mania & hotmix5 across these four tracks of expertly constructed retro deep house, acid and emotive electronic disco timeless music, which totally redefined the clubbing soundtrack, revisited and rendered in glorious modern production technicolour homage, yes... but with enough noughties nouse to win over a whole new generation.

nice price deal !!! delicious 3 track ep of nu disco from half of sweet drop (strictly rhythm, groovilicious) and the man behind that sweet remix of skatt bros walk the night.

for the second cassius records and to carry on with the youth speed, trouble, cigarettes adventure we give you four remixes done by talented producers across europe from milano italy… reset! we met the three kids from reset! in magazinni generale while playing, their set was powerfull but also full of respect and influences from hip hop, soul and dance music in general, we finished our sets back to back and since this day love them their trouble mix could have been done by the jbs if they were still twenty something and into house music… it rocks and never stopsno use to present the music from radio slave, the big difference with a majority of other producers is that we both can recognise his tracks in a few bars only, also in the way it streches to crazy length and takes you in a trance that could have come directly from lagos in 1973 matt embrace the same philosophy we all cherish at cassius records the no boundarys way hes more than minimal, more than electro more than techno he stripped down ystc to the max and his remix played at the good time on a good system is a true chicagoan infused gem then after chaos

nice price deal !!! the disconet greatest hits series continues at a pace with number 7! up first we have the original disconet version of globe & the whiz kid’s play that beat, which was the first ever outing of lesson 1 - the payoff which pioneered the whole sampling movement. up next we have the heavy hitting dancefloor kat mands the break, which has a true carnival feel! on the flip we have the disconet version of graffittis blissful feeling love which hit in 1979, and the moroder inspired dancer dance by pussyfoot.

2009 has seen a slew of new detroit producers in what is turning out to be a stunning year of activity for the citys dance music. as the area experiences another test of its collective mettle, these musicians have emerged with some fresh insights. its detroits new wave, and its happening at a time when everyone wants to know whats really going on in the 313. as always planet e is on this wave with monty luke. following up releases on claude von strokes mothership music label, luke transplanted from california to detroit, shunning grace for grit and delivers his first offering for planet e, >art, love & war.< the labels first release since the 69 box set, >art, love & war< matches deep, stark piano stabs with sharp expansive drum hits, its upfront, its beat-driven, its for the dancefloor. the fantastic carl craig remix on the flip throws jagged edges of the original around in unexpected ways, its the first c2 remix on planet e since his epic remake of martin buttrichs >stoned autopilot<

new label with a phat house release that is playing with the heritage of more then 20 years of house music history. royal oak is delivering heat with these two tracks that are produced and created with knowledge of the roots of our dance music. the roots from where all its offsprings have grown. according the labels promo text its like a royal oak standing proud in the middle of the forest overseeing its offsprings. this first edition is limited to 150 copies and won t be available for digital sales. timeless and classic house tracks!!

to all those unaware of the electro clash scene here in nyc im going to let you in on it. basically its the 80s revival with a tech edge. this is an electro clash kids wet dream. all the hits redone with stronger drums and tighter production for the soundsystems of today. ill heavy metal new wave electric boogie mashed together on 2 disks.

s.c.u.m. is back and with a plate that ll rock you right off your socks! none other then zero g has been selected to drop his long lost ransom tune that has been cained by almost all the bigshots and even was featured in ruskos essential mix! now this tune finally sees the light of day and ready to rock the dance floors on a global scale. dj nicon of rotterdams subway crew was big fan of this tune from the start and was surprised this never got a release. so naturally this got scooped for his personal scum imprint asap! and of course no release is finished without a suitable b side so flip it over for scorpion! a brand new club banger that delivers the dubstep sound ever so crispy! if your into the heavy side of dubstep then get on this!! play support: skream, benga, walsh, marlow, seven, 501, reso, matt-u etc.

the legendary pounding grooves label returns with two new dance floor stormers. the a-side the dark bells is a dark and minimal acid track with a wicked 303 line and strangely enough, some dark bells. the b-side foogar is a pounding grooves workout into extreme bass, and a wonky synth line. both tracks written and produced by lawrie dunster aka pounding grooves

this time is all about peak time. alessio and virgil, masters of evil techno, board the boat with two amazing dance floor killers. the power of the one, on side a, has all the elements needed to make the crowd scream and jump: jackin drums and all those layers of crazy synths creating that tension we all love. on side b, kamun brings some elastic mayhem to our ears. again, a dark dense atmosphere is the vehicle over which the tension evolves. this time, its a fat sawtooth synth which adds all that frenzy to this peak time track.

the man behind golden bug was partly educated by victor, a japanese robot from osaka. victor was invented by komba, an old japanese man who wanted a child. he created victor. when the old man died he sent victor around the world telling him to find a new home. after a big odyssey victor finally arrived at legendary la maison du robot in paris. the shop was owned by antoines mother who was the first one to import japanese toys to europe in the 70ies.so victor came to antoines family and decided to stay for a while. and as antoines mother was very busy with the other toys - victor practically was the one to teach antoine how to eat, how to speak and how to dance...

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

jay sinister sealee & louie vega starring julie mcknight. u cant afford to miss this...

and here it is: billie jewells all the time one of the best songs we have ever had the pleasure of releasing on trippin records. a great classic dance production with a b side to die for...

jo s undeniable cutting edge sound has carved her a niche in clubland. for our 15th edition we welcome smoking jo, one of the most talented djs and producers to emerge from the british dance music scene.

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

needwant is the new label from sean brosnan, who kicks off the label with the signing of fromages vicious. a record with one foot in the past and one in the future, reminiscent of eighties balerica with a vocal fit for a new york house dance floor.

>minimal is cool but in the long term a bit too unsexy!< this statement of marcel knopf that is by now quite old, shows his heart does not beat for one genre after all. after the first and more technoid single release from his album >dusty dance< monsieur knopf satisfies his longing for real house with single no.2 >crazy about<. r&b singer camaras soulful voice leaves quite an impression on this powerful beat. in >skinny bitches< marcel knopf processes insane nights: you just want to drink a beer in your favourite pub but then you meet a couple of friends and they take you to the worst disco in town. this high-energy track is uncompromising and must be played during peak time and not during warm-up sets or after-hours.

the 2nd vinyl release of house mannequin features two disco house tracks and comes as a limited edition white label. the first track is titled: but i cant see that dancin you. it is based on an old 80s track which has been cut up to a perfect modern disco house track. a track for the peak time of every disco house set! the second side consists of a gently grooving disco edit track named draw. both songs have a very positive vibe. although made for the dance floor, you can enjoy both tracks on your small home hifi too.greg wilson, jesse rose and many more supported the last release house mannequin ep1 and the new ep will definitely find lots of new friends in the house community.

new judas tenth release sees the return of the electro house scenes bearded alpha male huoratron. as you might have learned from his previous release on new judas this ep is not one for the tender ears, this is hard banging madness from start to finish with every track having a huge potential of ending up on techno satans spotify playlist. that said, you dont have to be a worshiper of the dark lord to obey and enjoy the innovative force of this hi-fi genius sound crafts and the excellent production behind all the original tracks. mixhells remix of the title track adds a bouncier bongo flavored beat and passions splatterhouse version of the same is bound to make even the weakest hearts bust a dance attack.

plastique de rêves new single on david carrettas label space factory disques follows up on last years fantastic release on dfa with its summer !!, a perfect techno-pop summer hit with another great feature by vocalist ghostape, and dives further into the realms of electrodisco, synth-pop, and cosmic music. ultra synthetic and light-hearted, yet dreamy and emotional, the three tracks (four on the digital release) each capture with authenticity the essence of electronic disco music but pay tribute to it here in a very original, playful and modern way. its summer !! is a great follow-up to plastique de rêves previous singles on dfa and supersoul recordings, also featuring ghostape on vocals. this time the music goes even deeper into the worlds of synth-pop and electronic disco, with reminiscences of vince clarkes yazoo, giorgio moroder or kelley polar. the sunny, laidback, pop radio atmosphere, together with ghostapes emotional build up of the deliberately simplest lyrics ever written so far, might well keep you smiling, and dancing, all summer.

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

the >murmur ep<, limited edition of 500 units in coloured vinyl, the sight belows followup to 2008s full-length glider, is a bracing step forward for the reclusive seattle-based artist, comprising two new songs and a notable remix. the sight below uses the murmur ep as an opportunity for expansion, turning up the contrast on his silky tones to expose an even more deeply textured sound with a powerful emotional effect. on the >murmur ep<, the textures are denser, courser—closer to kevin shields jagged oceans of guitar than gliders wisps of reverb — and the beats are meatier, funkier even. the sight below comes close to recording a real dance track with >murmur<, slipping a skipping syncopation and an honest-to-god bass line into a roiling cloud of distortion. >wishing me asleep< incorporates bits of strings into the mix for a touch of cinematic melancholy.

this ist he first vinyl from the digital only compilation >5 years dirt crew recordings<, released on 09.11.09.
dirt crew recordings turns 5 in november, to celebrate this we bring you an exclusive compilation with lots of new acts and fresh material from our main artists on the label. there will also be 2 vinyls accompaning this digital compilation, the first will be released at the same time and contains tracks by dirt crew, tigerskin and geiger, the second one will come out early december with 4 other exclusive tracks from till von sein, yosa, tigerskin and dekay & elie eidelman that are not featured on the main compilation. as we are always on the lookout for new talent at dirt crew we are very happy to have 8 new artist on this album, yosa from tokyo, geiger, sierra sam, dekay, elie eidelman and jay shepheard from berlin, pele from the south of germany and dominus from barcelona. they will all do full releases next year and make sure that our label keeps on bringing the deep sounds to your dancefloors. of course we also have fresh bombs from our main men the runners, dirt crew, mic newman, tigerskin and till von sein on this great compilation.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

marcus mumford built mumford and sons after his long standing position as laura marlings drummer / harmoniser began to earn him praise from all who saw them play live together. his battered and raspy voice soars with emotion over massive swells of country tinged orchestral pop. lovelorn lyrics filled with hope, anger, fear and every passionate extreme in between mean mumford and sons are sure to achieve a massive amount of praise for their debut album sigh no more, which demonstrates the strength in both song and sound. togetherness is fundamental to mumford and sons. its there in the tightness of the arrangements, and the four part harmonies - its pretty unusual to hear pitch perfect harmonies that are also meaty, masculine and downright loud. and its in the simple fact that mumford and sons get such a kick out of playing together.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

memphis first performance through alma is le petit. for this first launching he has been surrounded by gifted people. on one hand, mr. plaupez, who has given a more enjoyable and danceable spark to his review of le petit and takes you right to the dance floor!! on the other, the producer of the moment, the serbian gramophonedzie with his why dont you. this theme can range from commercial to the underground. played by artists such as denis ferrer and frequently heard on radio. in this case, gramophonedzie, show all his heavy basses and a groovy sound that connects serbia strait to chicago. supports: tiger stripes, dj vibe, nick holder, dj hell, axwell, nick warren, mikael stavonstrand, paco osuna, ken ishii, jim masters, dylan drazen, francesco farfa

the long-awaited killaz 14 vinyl is coming! aaron the pimp delivers great quality hard banging and groovy techno ready to smash the dance floor. completed by a real hardtechno bomb from arkus p. its an absolute must for the lovers of the dark side

vinyl only / coloured vinyl !!! think of deep house and it isn’t all that often that the casts it’s attention on spain, a country more famous for it’s hedonistic forays into the tougher side of dance music, but all that started to change a few years back when above smoke (or javier to his mum) and brother jose aka dubbyman set up the rather superb deep explorer music (label of the month in the current issue of resident advisor). impressed as we were, we asked javier to provide a demo for us, the results of that you now have in your hands..

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

now that davide squillace s 10 release project minisketch has been completed, davide squillace keeps moving in interesting directions. the next project is called hideout, here s the first release on the label. besides davide squillace himself, artist that will be participating in the label project include audiofly, dubfire, dop, paul ritch, matthias kaden, luca bacchetti, and some even bigger names to come. like the above, davide is no stranger to the international dance music circuit. the studied audio engineer is one of the most successful neapolitan techno djs worldwide. also known by his other imprints sketch and titbit, and releases on renowned labels like josh wink s ovum, the german label resopal and alex under s cmyk, ..

nice price deal !!! 1999 mixes!!

one more time o.ton kick it loud with this second ep !! keep it easy! weve asked to robber and bandit to make us dance. those two young belgian dj and producer make it heavy and ravey !!! with various influences they give the tone : trancey bassline, heavy break and loud minimal techno producing stuff. a side is an amazing short track called rusian panther : mixing ravey melody big infrasound techno beats and breaked rhythms .the second one battleship mendoza is « the » real peaktime bombing track, just listen ! on the aa side : chilling session on the dancefloor but with a perfect gimmick that one keep us alive

kcats vocals dance with delinquents beats on this spoilt rotten 4 tracker.

heres a very limited 3 track ep from blast heads 6th cd album nu island. blast head is the most important and respected unit of japanese underground scene for over 10 years. dj hikaru is the most busiest dj who based on japanese most cultural spot grassroots tokyo. dr.tetsu is the programmer who produced some artist like ua and so on... nu wave is the 9 minute over peak time dance track. featured live steal pan playing by tico (little tempo). heres great fusion of caribbean feel organic sounds and head rush dance groove. sky high is the jazz funk/fusion feel disco/boogie track. if you like cro magnon sound, this tracks must be fits for you. bbq jam is the downtempo jam with the elements of jazz, dub, world music.

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.

the title of max coopers stochastisch serie ep, refers to his use of stochastic methods, also known as non-deterministic, or random methods of sound generation. stochastic elements referring here mainly to real sounds including vocal experiments and sampled sounds which create a complexity and richness which has been a trademark of many well known traum releases in the past. the london based artist max cooper sees his new 12 inch as a construction of different moods going beyond club music, as witnessed in the past through tracks such as i and end of reason. it is no surprise that dischordance is another one of these timeless pearls alongside these mentioned tracks that have created a fan base worldwide for him. the friction max generates is created by two sides colliding, the synthesised drums and melodies and the random experiments with voice. his dance floor rockers stochastisch serie and mnemonic work in a much more functional way but do include bits of this randomness and therefore are part of the superstructure stochastisch serie. the remix of uk producer leeks is very hip in style and sound and will please a lot of younger djs who love the cool swing and groovyness with music and will find the functionlism here going very strong.

as the lead front room representative daniel steinberg has been one of the main flavours on the label, with this being his fourth release for front room recordings. daniels records frequently land in the crates of artists such as ricardo villalobos, luciano, claude vonstroke, richie hawtin and jesse rose to name a few. his previous releases on front room like cobra limbos, uptown and keep on movin still resonate around the dance floors of the world, proving time and time again that daniels sound continues to inspire djs and club goers alike.as well as having great success on front room recordings daniel also regularly airs his talents on labels such as style rockets, leftroom and grandpetrol. daniel can also be regularly found trotting the globe to showcase his skills at some of the finest clubs throughout the world. daniel steinberg is once again stepping up to the plate with two killer tracks showcasing his own unique take on house that will be sure to keep dance floors pulsing and hands in the air through summer, winter and beyond.

torsten kanzlers next clubburner is in record stores now! be prepared for real kanzler sound: merciless stompin, mind blowing and powerful! these tracks will force you to dance! very good work by mr. kanzler! be fast to save your copy... this hot stuff will be out of stock soon!

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

russian duo easy changes have been demanding international respect for some time now and have established themselves as free and forward thinking producers, who continue to surprise. returning to mean, easy changes have delivered a refined, abstract jazz experiment that teases with continuously evolving elements, moving, shifting, drifting, telling tales, whispering in corners. zhazdha krovi gets our attention with twisted vocals playing with off key elements focusing on refined detailed percussion and clean bass sounds. stolem is a rythmic workout. light, quircky elements amuse whilst sitting on top of the groove that insists we get down. sweet n candy come in on remix duty and deliver a tech house killer. pulsationg, tough grooves that will raise the temperature on any discerning dance floor. b2 is a minimal jazz jaunt that teases, off kilter and experimental and refined

jorge cortés comes from santiago de chile, where he records for his own record label, ojo de apolo, under the name >receptor<. the >mas musica e.p.< brings jorges minimal click-house sound to the states where hes found a new home on detroits matrix records with this wonderfully groovy and absolutely dancey e.p. of funky disco inspired house. fans of kenny dixon jr. and theo parrish are sure to find a new weapon in their dance floor arsenal with this four tracker

no much is known about the new kid in the playground ladzinski, but what we do know is that he has his own sound placed firmly between the different schools of proper house music. he steps up to the plate to deliver a true gem of a first release with four varied but very modern house tracks, there are elements of chicago, new york, detroit and berlin spread across the whole ep. spacey chords, deep sub-bass and snappy drums give this ep a real warm feel for the dance floor.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...